Recent Publications Fall 2006

Recent Publications

Anderson, Thomas Page, Performing Early Modern Trauma from Shakespeare to Milton, Aldershot, England and Burlington, VT: Ashgate, 2006.

Asquith, Clare, Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare, New York; London: Perseus, PublicAffairs, 2005.

Bergeron, David Moore, Textual Patronage in English Drama, 1570-1640, Aldershot, England and Burlington, VT: Ashgate, 2006.

Bel, Catherine, Dumont, Pascale, and Willaert, Frank, eds. Contez Me Tout: MŽlanges De Langue et LittŽrature MŽdiŽvales Offerts ˆ Herman Braet, Louvain ; Dudley, MA: Peeters, 2006.

Britland, Karen, Drama at the Courts of Queen Henrietta Maria, Cambridge, UK and New York: Cambridge University Press, 2006.

Cooper, Helen, Shakespeare and the Middle Ages: Inaugural Lecture Delivered 29 April 2005, Cambridge England: Cambridge University Press, 2006.

Douglas, Audrey and Sally-Beth MacLean, eds., REED in Review: Essays in Celebration of the First Twenty-Five Years, Toronto: University of Toronto Press, 2006.

Davidson, Clifford, Selected Studies in Drama and Renaissance Literature, New York: AMS Press, 2006.

Dailey, Jeff, "Christian Underscoring in Tamburlaine the Great, Part II," <>Journal of Religion and Theatre, 4 (2005): 146-155.

Dillon, Janette, The Cambridge Introduction to Early English Theatre, Cambridge, UK and New York: Cambridge University Press, 2006.

DiPietro, Cary, Shakespeare and Modernism, New York: Cambridge University Press, 2006.

Floyd-Wilson, Mary and Garrett A. Sullivan, eds., Embodiment and Environment in Early Modern Drama and Performance, Renaissance Drama, new series 35, Evanston, Ill: Northwestern University Press, 2006.

Fontanel, BŽatrice, Daily Life in Art, New York: Abrams, 2006.

Freund, Philip, Dramatis Personae: The Rise of Medieval and Renaissance Theatre, London ; Chester Springs, PA: Peter Owen, 2006.

Gieskes, Edward, Representing the Professions: Administration, Law, and Theater in Early Modern England, Newark: University of Delaware Press, 2006.

Gonz‡lez Fern‡ndez de Sevilla,JosŽ Manuel, Spanish Studies in Shakespeare and His Contemporaries, Newark: University of Delaware Press, 2006.

Goodland, Katharine, Female Mourning in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear, Aldershot, England and Burlington, VT: Ashgate, 2006.

Hokenson, Jan, The Idea of Comedy: History, Theory, Critique, Madison N.J.: Fairleigh Dickinson University Press, 2006.

Holland, Peter, ed., Editing Shakespeare, Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production. 59, Cambridge, UK; New York: Cambridge University Press, 2006.

Holland, Peter,Shakespeare, Memory and Performance, Cambridge, UK: Cambridge University Press, 2006.

Holton, David, Literature and Society in Renaissance Crete, Cambridge, UK: Cambridge University Press, 2006.

Ioppolo, Grace, Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse, London and New York: Routledge, 2006.

Karim-Cooper, Farah, Cosmetics in Shakespearean and Renaissance Drama, Edinburgh: Edinburgh University Press, 2006.

Katritzky, M. A., The Art of Commedia: A Study in the Commedia Dell'Arte 1560-1620 with Special Reference to the Visual Records, Amsterdam; New York: Rodopi, 2006.

Kaufman, Herbert L., Collected Plays for Stage and Radio, United States:, 2006.

Kezar, Dennis, Solon and Thespis: Law and Theater in the English Renaissance, South Bend, Indiana: University of Notre Dame Press, 2006.

King, Pamela M., The York Mystery Cycle and the Worship of the City, Woodbridge: Boydell and Brewer, 2006.

Kozuka, Takashi Mulryne,J.R., Shakespeare, Marlowe, Jonson: New Directions in Biography, Aldershot, England and Burlington, VT: Ashgate, 2006.

Lin, Erika T., "Performance Practice and Theatrical Privilege: Rethinking Weimann's Concepts of Locus and Platea," New Theatre Quarterly 22.3 (August 2006): 283-298.

Locati, Silvia, La Rinascita del Genere Tragico nel Medioevo: L'Ecerinis di Albertino Mussato, Firenze: F. Cesati, 2006.

Long, Zackariah Christopher, The Uncollected Self: Memory, Subjectivity, and Cultural Crisis in English Renaissance Drama, 2006.

Matei-Chesnoiu, Monica, Shakespeare in the Romanian Cultural Memory, Madison, N.J: Fairleigh Dickinson University Press, 2006.

McDonald, Russ, Shakespeare's Late Style, Cambridge ; New York: Cambridge University Press, 2006.

Murphy, Diane, Medieval Mystery Plays as Popular Culture: Performing the Lives of Saints, Lewiston, N.Y: Edwin Mellen Press, 2006.

Nelsen, Paul, and Schlueter, June. Lusardi,James P., Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries: Essays in Honor of James P. Lusardi, Madison N.J.: Fairleigh Dickinson University Press, 2006.

Sharon-Zisser, Shirley, Critical Essays on Shakespeare's A Lover's Complaint: Suffering Ecstasy, Aldershot, Hants, England and Burlington, VT: Ashgate Pub, 2006.

Stillman, Robert E., ed., Spectacle and Public Performance in the Late Middle Ages and the Renaissance, Studies in Medieval and Reformation Traditions: History, Culture, Religion, Ideas, 113, Leiden and Boston: Brill, 2006.
Includes:

RICHARD K. EMMERSON
"Antichrist on Page and Stage in the Later Middle Ages"

PETER COCKET
"Staging Antichrist and the Performance of Miracles"

ROBERT E. STILLMAN
"'Nothing more nedeful': Politics and the Rhetoric of Accommodation in Elizabeth I's Coronation Procession

TIFFANY J. ALKAN
"Britomart's Backward Glance in Spenser's Faerie Queene: Liminal Triumphs/Dark Erotics in Busirane's Mask of Cupid"

NORA JOHNSON
"Spectacle and the Fantasy of Immateriality: Authorship and Magic in John a Kent and John a Cumber"

SARAH BECKWITH
"The Play of Voice: Acknowledgment, Knowledge, and Self-Knowledge in Measure for Measure"

RICHARD C. McCOY
"Spectacle and Equivocation in Macbeth"

PETER HOLLAND
"Mapping Shakespeare's Britain"

ROBERT W. BARRETT, JR.
"The Absent Triumphator in the 1610 Chester's Triumph in Honor of Her Prince"

TOM BISHOP
"Have his 'carkasse': The Aftermaths of English Court Masques"

LAUREN SHOHET
"Reading/Genres: On 1630s Masques"

Straznicky, Marta, The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England, Amherst: University of Massachusetts Press, 2006.

Taylor, Jefferey H., Four Levels of Meaning in the York Cycle of Mystery Plays: A Study in Medieval Allegory, Lewiston, N.Y: Edwin Mellen Press, 2006.

Turner, Henry S., The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630, New York: Oxford University Press, 2006.

West, William N., Theatres and Encyclopedias in Early Modern Europe, Cambridge Studies in Renaissance Literature and Culture, Cambridge, UK: Cambridge University Press, 2006.

West-Pavlov, Russell, Bodies and their Spaces: System, Crisis and Transformation in Early Modern Theatre, Amsterdam; New York, NY: Rodopi, 2006.

Whitney, Charles, Early Responses to Renaissance Drama, Cambridge, UK ; New York: Cambridge University Press, 2006.

Womack, Peter, English Renaissance Drama, Malden, MA and Oxford, UK: Blackwell, 2006.

Wong, Mitali P., Politics and Tropes in Renaissance History Plays: Understanding a Neglected Genre, Lewiston: Edwin Mellen Press, 2006.

Comparative Drama
www.wmich.edu/compdr

Volume 39, No. 1 (Spring 2005)

CHRISTOPHER BAKER AND RICHARD HARP
"Jonson's Volpone and Dante."

KEVIN LINDBERG
"Thomas Heywood's The Royall King, and the Loyall Subject and the Fall
of Robert Devereux, 2nd Earl of Essex."

JENNIFER LOW
"'Bodied Forth': Spectator, Stage, and Actor in the Early Modern Theater."

Volume 39, No. 2 (Summer 2005)

FRANCES BABBAGE
"The Play of the Surface: Theater and The Turn of the Screw."

Volume 39, No. 3/4 (Fall/Winter 2005-2006)

MIKIKO ISHII
"The Weeping Mother in Sumidagawa, Curlew River, and Medieval European Religious Plays."

DONGCHOON LEE
"Medieval Korean Drama: The Pongsan Mask Dance."

CECILIA PANG
"(Re)cycling Culture: The Development of Chinese Opera in the United States."

ZVIKA SERPER
Japanese Noh and Ky™gen Plays: Staging Dichotomy."

MIN TIAN
"The Performance of Yuan Drama: A Study of Stage Directions."

Early Modern Literary Studies (EMLS)
Online publication available at: purl.org/emls

EMLS 11.3 (January, 2006)

JASON GLECKMAN
"Shakespeare as Poet or Playwright?: The Player's Speech in Hamlet."

REINA GREEN
"Poisoned Ears and Parental Advice in Hamlet."

L. MONIQUE PITTMAN
"A Son Less Than Kind: Iconography, Interpolation,and Masculinity in Branagh's Hamlet."

DOSIA REICHARDT
"Another Look at 'Amyntor’s Grove': Pastoral and Patronage in Lovelace's Poem."

EMILY SMITH
"Genre's "Phantastical Garb": The Fashion of Form in Margaret Cavendish's Natures Pictures Drawn by Fancies Pencil to the Life."

EMLS 12.1 (May, 2006)

KEVINE CURRAN
"Virtual Scholarship: Navigating Early Modern Studies on the World Wide Web."

SARAH CARTER
"From the ridiculous to the sublime: Ovidian and Neoplatonic registers in A Midsummer Night's Dream."

MARGU&EACUTE;RITE CORPORAAL
"Love, Death and Resurrection in Tragicomedies by Seventeenth-Century English Women Dramatists."

CANDY B. K. SCHILLE
"'With Honour Quit the Fort": Ambivalent Colonialism in Dryden's Amboyna."

EMLS 12.2 (September, 2006)

LISA DICKSON
"The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie Queene."

HELGA DUNCAN
"'Headdie Ryots' as Reformations: Marlowe's Libertine Poetics."

PATRICK J. COOK
"Beggary/Buggery and Oedipal Conflict in Thomas Middleton's The Phoenix."

ANDREW GRIFFIN
"The Banality of History in Troilus and Cressida."

ALISON SCOTT
"Marketing Luxury at the New Exchange: Jonson's Entertainment at Britain's Burse and the Rhetoric of Wonder."

GRAY SCOTT
"Signifying Nothing? A Secondary Analysis of the Claremont Authorship Debates."

ALISON SEARLE
"'My Souls Anatomiste': Richard Baxter, Katherine Gell and Letters of the Heart."

Early Theatre
Vol. 9.1 (May 2006)
Online publication available at: http://www.earlytheatre.ca/volumes.htm

BRANDON ALAKAS
"Seniority and Mastery: The Politics of Ageism in the Coventry Cycle"

MATT KOZUSKO
"Taking Liberties"

KRISTEN McDERMOTT
"Jonson's Gossips and the Stuart Family Drama"

BRANDON CENTERWALL
"A Greatly Exaggerated Demise: The Remaking of the Children of Paul's as the Duke of York's Men (1608)"

MEGAN LYNN ISAAC
"Structure, Legitimacy, and Magic in The Birth of Merlin"
Megan Lynn Isaac

MONIKA KARPINSKA
"Bawdily Manipulations: Spheres of Female Power in The Birth of Merlin"

Early Theatre
Vol. 9.2 (December 2006)

CLIFFORD DAVIDSON
"York Guilds and the Corpus Christi Plays: Unwilling Participants?"

JOANNE FINDON
"Napping in the Arbour in the Digby Mary Magdalene Play"

DAVID NICOL
"The Repertory of Prince Charles’s (I) Company, 1608-1625"

MICHELLE M. BUTLER
"The Borrowed Expositor"

ANDREW GRIFFEN
"Ram Alley and Female Spectatorship"