MRDS Newsletter: Recent Publications Fall 2004
Recent Publications Fall 2004
Bennett, Jacob, "The Meaning of the Digby Mary Magdalen," Studies in Philology 101 (2004): 38-47.
Berek, Peter, "Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays," 44 Studies in English Literature, 1500-1900 44 (2004): 359-377.
Callaghan, Dympna, "Recent Studies in Tudor and Stuart Drama," Studies in English Literature, 1500-1900 44 (2004): 405-455.
Campiglia, Maddalena, Flori, A Pastoral Drama: A Bilingual Edition (The Other Voice in Early Modern Europe, Lisa Sampson, ed., Virginia Cox, ed. and trans., Chicago: University of Chicago Press, 2004.
Coletti, Theresa, " 'Curtesy doth it yow lere': the Sociology of Transgression in the Digby Mary Magdalene," ELH 71 (2004): 1-28.
Copeland, Nancy Eileen, Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre, Studies in Performance and Early Modern Drama, Aldershot, Hants, England; Burlington, VT: Ashgate, 2004.
Davidson, Clifford, Deliver Us from Evil Essays on Symbolic Engagement in Early Drama, New York: AMS Press, 2004.
Dox, Donnalee, "The Eyes of the body and the Veil of Faith," Theatre Journal 56 (2004): 29-45.
Enders, Jody, "The Spectacle of the Scaffolding: Rape and the Violent Foundations of Medieval Theatre Studies," Theatre Journal 56 (2004): 163-181.
Floyd-Wilson, Mary, English Ethnicity and Race in Early Modern Drama, Cambridge, England: Cambridge University Press, 2003.
Foster, Verna A., The Name and Nature of Tragicomedy, Aldershot, Hants, England; Burlington, VT: Ashgate, 2004.
French, E., "The Actor as Playwright in Early Modern Drama," Theatre Notebook 58.1 (2004): 42-43.
Garnier, Robert., Les Juifves: TragËdie, Sabine Lardon, ed., Paris: H. Champion, 2004.
Goldstein, Leonard, The Origin of Medieval Drama, Madison, N.J.: Fairleigh Dickinson University Press, 2004.
Halpern, Richard, "Marlow's Theater of Night Doctor Faustus and Capital," ELH 71 (Summer 2004): 455-495.
Happe, Peter, Cyclic Form and the English Mystery Plays: a Comparative Study of the English Biblical Cycles and Their Continental and Iconographic Counterparts, Ludus, 7, Amsterdam: Rodopi, 2004.
Henze, Catherine A., "Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque,"Studies in English Literature, 1500-1900 44 (2004): 379-404.
Hirschfeld, Heather Anne, Joint Enterprises: Collaborative Drama and the Institutionalization of the English Renaissance Theater, Massachusetts Studies in Early Modern Culture, Amherst: University of Massachusetts Press, 2004.
Holstun, James, "The Spider, the Fly, and the Commonwealth: Merrie John Heywood and Agrarian Class Struggle," ELH 71 (Spring 2004): 53-88.
Hughes, Andrew and John Dickinson Haines, Music and Medieval Manuscripts: Paleography and Performance: Essays Dedicated to Andrew
Hughes, Aldershot, Hants, England; Burlington, VT: Ashgate, 2004.
Jasper, David, "The Divine Drama: The Old Testament as Literature," Journal of Semitic Studies 49 (Spring 2004): 139-141.
Jowitt, Claire, Voyage, Drama and Gender Politics 1589-1642: Real and Imagined Worlds, Manchester: Manchester University Press, 2003.
Kinney, Arthur, Companion to Renaissance Drama, Oxford: Blackwell, 2004.
Kinney, Arthur F., Shakespeare's Webs: Networks of Meaning in Renaissance Drama, New York: Routledge, 2004.
Koltai, Tamás, "Classic Hungarian Drama: Reality and Illusion," Hungarian Quarterly 174 (Summer 2004): 159-164.
Lampert, Lisa, Gender and Jewish Difference from Paul to Shakespeare, Philadelphia: University of Pennsylvania Press, 2004.
Lerud, Ted, "Negotiating the Reformation in the Northwest: The Reinvention of the Chester Cycle," Reformation 8 (2003): 1-40.
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama, Cambridge, England: Cambridge University Press, 2003.
Low, Jennifer, Manhood and the Duel: Masculinity in Early Modern Drama and Culture, New York: Palgrave MacMillan, 2003.
Mehl, Dieter, Angela Stock, and Anne-Julia Zwierlein, eds., Plotting Early Modern London: New Essays on Jacobean City Comedy, Aldershot, Hants, England; Burlington, VT: Ashgate, 2004.
Menon, Madhavi, Wanton Words: Rhetoric and Sexuality in English Renaissance Drama, Toronto: University of Toronto Press, 2004.
Mentz, Steve, "Escaping Italy: From Novella to Romance in Gascoigne and Lyly," Studies in Philology 101 (2004): 153-171.
Moss, Stephanie and Kaara L. Peterson, eds., Disease, Diagnosis, and Cure on the Early Modern Stage, Aldershot, Hants, England; Burlington, VT: Ashgate, 2004.
Normington, Katie, Gender and Medieval Drama. Woodbridge, Suffolk; Rochester, NY: D.S. Brewer, 2004.
Olsen, Glenn W., Beginning at Jerusalem: Five Reflections on the History of the Church. San Francisco: Ignatius Press, 2004
Rice, Raymond J., "Cannibalism and the Act of Revenge in Tudor-Stuart Drama," Studies in English Literature, 1500-1900 44 (2004): 297-316.
Schoenfeldt, Michael, "Recent Studies in the English Renaissance," Studies in English Literature, 1500-1900 44 (2004): 189-228.
Shaughnessy, Robert, Four Renaissance Comedies. Basingstoke, Hampshire; New York: Palgrave MacMillian, 2004. (includes George Peele's The Old Wives Tale, Ben Jonson's The Alchemist, Philip Massinger's A New Way to Pay Old Debts, and Thomas Dekker's The Shoemaker's Holiday.)
Steggle, Matthew, "James Yates, Elizabethan Servant Poet," Studies in Philology 101 (2004): 48-58.
Stern, Tiffany, "'A small-beer health to his second day': Playwrights, Prologues, and First Performances in the Early Modern Theater," Studies in Philology 101 (2004): 172-199.
Stymeist, David, "Status, Sodom, and the Theater in Marlowe's Edward II, Studies in English Literature, 1500-1900 44 (2004): 233-253.
Wall, Wendy and Jeffrey Masten, Renaissance Drama: Institutions of the Text, Renaissance Drama 30, Evanston, Ill.: Northwestern University Press, 2004.
Vol. 37, No. 4 (Winter 2004)
"The Tyrone Anthology: Authority in the Last Act of Long Day's Journey Into Night."
"Nonverbal Theatrical Elements in Ntozake Shange's for colored girls ... and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow)."
"Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, and Culture."
European Medieval Drama (EMD)
"'Putting on the Girls': Mary's Girlhood and the Performance of Monarchical Authority in Philippe de Mézière's Dramatic Office for the Presentation of the Virgin in the Temple."
KEVIN J. RUTH
"Juridical Language and the Devil's Rights in the Maastrichter (ripuarisches) Passionsspiel."
"Pastoralia and the Lost York Plays of the Creed and Paternoster."
STEPHEN K. WRIGHT
"The Tyrolean Play of David and Goliath (Bozen 1515): Tradition, Text and Translation."
FRANCESC MASSIP et LENKE KOVACS
"Les Franciscains et le genre macabre: les Danses de la Mort et la prédication."
"La Moralité des frères de Maintenant: propositions pour une étude dramaturgique."
"Play and Record: Ser Tommaso di Silvestro and the Theatre of Medieval and Early Modern Orvieto."
"Paroles et présence de Marie dans le MystèËre de l'Assomption de
"Working on the Audience: Allegorical Strategies in Rhetoricians Plays."
"Edited Remainders of a Nativity: Two Short, Early Polish Christmas Fragments."
Early Modern Literary Studies (EMLS)
Online publication available at: http://www.shu.ac.uk/emls/
EMLS Special Issue 13 (April 2004)
Computer Modelling of Performance Spaces
"A report on Virtual Reality (VR) in theatre history research: Creating a spatial context for performance."
"Modelling the anatomy theatre and the indoor hall theatre: Dissection on the stages of early modern London."
"Reconstructing Shakespeare's second Globe using 'Computer Aided Design' (CAD) tools."
"The 1599 Globe and its modern replica: Virtual Reality modelling of the archaeological and pictorial evidence."
EMLS Special Issue 14 (May 2004)
Essays from the Fifth Biennial International Margaret Cavendish Conference
SARA H. MENDELSON
"Concocting the world's olio: Margaret Cavendish and continental influence."
NADINE N. W. AKKERMAN AND MARGÉRITE CORPORAAL
"Mad Science Beyond Flattery: The Correspondence of Margaret Cavendish and Constantijn Huygens."
"Happy Families and Learned Ladies:Margaret Cavendish, William Cavendish, and their onstage academy debate."
"Playing with Religion: Convents, Cloisters, Martyrdom, and Vows."
"Fighting the Kingdom of Faction in Bell in Campo."
"Crime and Context in The Unnatural Tragedy."
"The Intellectual and Literary Courtship of Margaret Cavendish."
"Defects Redressed: Margaret Cavendish Aspires to Motley."
B. R. SIEGFRIED
"The City of Chance, or, Margaret Cavendish's Theory of Radical Symmetry."
"'My Spirits long to wander in the Air...': Spirits and Souls in Margaret Cavendish's Fiction between Early Modern Philosophy and Cyber Theory."
"'I hate such an old-fashioned House': Margaret Cavendish and the search for home."
"An Empowering Wit and an 'Unnatural' Tragedy: Margaret Cavendish's Representation of the Tragic Female Voice."
"Gender Subversion in the Science of Margaret Cavendish."
EMLS Vol. 10.1 (May 2004)
"A Shroud for the Mind: Ralegh's Poetic Rewriting of the Self."
J. A. JACKSON
"'On forfeit of your selves, think nothing true': Self-Deception in Ben Jonson's Epicoene.
ROBERTA BARKER AND DAVID NICOL
"Does Beatrice Joanna Have a Subtext?: The Changeling on the London Stage."
SARA VAN DEN BERG
"Women, Children, and the Rhetoric of Milton's Divorce Tracts."
W. SCOTT HOWARD
"Milton's `Divorcive' Liberties: Ecclesiastical, Domestic or Private, Civil and Cosmological."
"Human Nature in Republican Tradition and Paradise Lost."
BRECKEN ROSE HANCOCK
"Roman or Revenger? The Definition and Distortion of Masculine Identity in Titus Andronicus."
EMLS Vol. 10.2 (September 2004)
LARUE LOVE SLOAN
"'Caparisoned like the horse': Tongue and Tail in Shakespeare's The Taming of the Shrew."
"Shakespeare and the Public Discourse of Sovereignty: "Reason of State" in Hamlet."
"Who Knows Who Knows Who's There? An Epistemology of Hamlet (Or, What Happens in the Mousetrap)."
PAUL D. GREEN
"The Muse of Mount Orgueil: a reading of William Prynne's poetry."
Vol. 7.2 (2004)
Early Theatre 7.2 (2004) will be appearing shortly. If you are not a subscriber, copies may be ordered from CRRS Publications at email@example.com OR see our website for further information
"Making Death a Miracle: Audience and the Genres of Martyrdom in Dekker and Massinger's The Virgin Martyr."
"Food and Foreignness in Sir Thomas More."
"Galley-foists, the Lord Mayor's Show, and Early Modern English Drama."
"'Which 'longs to women of all fashion': Churching and Shakespeare's The Winter's Tale."
Vol. 32 (2003)
"'As from the Waste of Sophonisba'; or, What's Sexy about Stage Directions."
"White Skin, Black Masks: Racial Cross-Dressing on the Early Modern Stage."
"Tent Him to the Quick: Vision, Violence and Penalty in Shakespeare's 2 Henry VI."
"'A Thing Like Death': Sleeping Potions and Poisons in Romeo and Juliet and Antony and Cleopatra."
"What Do Women Know? The Roaring Girl and the Wisdom of Tiresias."
"Sexual Slander and Working Women in The Roaring Girl."
"Convents and Pleasures: Margaret Cavendish and the Drama of Property."
"A Tragedy of Good Intentions: Maternal Agency in 3 Henry VI and King John."