Recent Publications Fall 2007

Recent Publications

Books

David Moore Bergeron. Textual Patronage In English Drama, 1570-1640. Aldershot, England; Burlington, VT: Ashgate, 2006.

Gina Bloom. Voice in Motion: Staging Gender, Shaping Sound in Early Modern England. (Material Texts Series). Philadelphia: University of Pennsylvania Press, 2007.

Regina Buccola. Fairies, Fractious Women, And The Old Faith: Fairy Lore In Early Modern British Drama And Culture. Selinsgrove: Susquehanna University Press, 2006.

Philip Butterworth, Ed. The Narrator, the Expositor, and the Prompter in European Medieval Theatre. (Medieval Texts and Cultures of Northern Europe). Turnhout: Brepols, 2007.

Philip Butterworth
Introduction

Elsa Strietman
"'Every Man, I wyll go with thee and be thy gyde': Narrators, Expositors, and Prompters in the Drama of the Low Countries."

Peter Happeacute;
"Expositor Figures in Some Cycle Plays in French and German."

Nerida Newbigin
"Directing the Gaze: Expository Modes in Late Medieval Italian Plays."

John Mckinnell
"The Narrator as Everyone's Voice: A Project to Produce the Ecerinis of Albertino Mussato."

Jolanta Rzegocka
"Unwinding Stories: Challenges of the Expositor in Early Modern Polish Popular Theatre."

Max Harris
"Puppets, Minstrels, Kings, and Shepherds: Expository Narrators in Early Spanish Theatre."

Milla Cozart Riggio
"Masqueing the Moral Expositor in the Macro Plays."

Mario Longtin
"Prompting the Action: The Prologue, the Messenger, and the Fool."

Tom Pettitt
"'Perchance you wonder at this show': Dramaturgical Machinery in A Midsummer Night's Dream and 'Pyramus and Thisbe'"

Christine Dymkowski
"'Ancient [and Modern] Gower': Presenting Shakespeare's Pericles."

Alan Hindley
"'La prŽdication par personnages'? Expositor Figures in the MoralitŽs."

Peter Meredith
"Establishing an Expositor's Role: Contemplacio and the N.town Manuscript."

David Mills
"Brought to Book: Chester's Expositor and his Kin."

Philip Butterworth
"Richard Carew's 'Ordinary': The First English Director."

Clifford Davidson.
Plays and Pageants in Late Medieval Britain. Aldershot, Hants: Ashgate Publishing, 2007.

Lawrence M. Clopper and David Mills, Eds. Chester, 2nd., enlarged ed. Toronto: Records of Early English Drama, 2007, in Cheshire including Chester, ed. Elizabeth Baldwin, 2 vols. Toronto: REED, 2007.

John C. Coldewey, Ed. Medieval Drama: Critical Concepts in Literary and Cultural Studies. 4 Vols. London ; New York: Routledge, 2007.

Alison Findlay. Playing Spaces In Early Women's Drama. Cambridge, UK; New York: Cambridge University Press, 2006.

Edward Gieskes. Representing The Professions: Administration, Law, And Theater In Early Modern England. Newark: University of Delaware Press, 2006.

Katherine Goodland. Female Mourning in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear. Aldershot, Hampshire, England; Burlington, VT: Ashgate, 2006.

Janet Dillon. The Cambridge Introduction to Early English Theatre. Cambridge, UK; New York: Cambridge University Press, 2006.

Alison Findlay. Playing Spaces in Early Women's Drama. Cambridge, UK; New York: Cambridge University Press, 2006.

Peter HappŽ and Wim HŸsken, Eds. Interludes and Early Modern Society. (Studies in Gender, Power and Theatricality.) Amsterdam; New York, NY: Rodopi, 2007.

Peter HappŽ
Introduction

Jean-Paul Debax
"Complicity and Hierarchy: A Tentative Definition of the Interlude Genus."

Lynn Forest-Hill
"Maidens and Matrons: The Theatricality of Gender in the Tudor Interludes."

Peter HappŽ
"Skelton's Magnyfycence: Theatre, Poetry, Influence."

Mike Pincombe
"Comic Treatment of Tragic Character in Godly Queen Hester."

Janette Dillon
"Powerful Obedience: Godly Queen Hester and Katherine of Aragon."

Bob Godfrey
"Feminine Singularity: The Representation of Young Women in Some Early Tudor Interludes."

David Mills
"Wit to Woo: The Wit Interludes."

Dermot Cavanagh
"Reforming Sovereignty: John Bale and Tragic Drama."

Greg Walker
"Flytyng in the Face of Convention: Protest and Innovation in Lindsay's Satyre of the Thrie Estaitis."

John J. McGavin
"Working Towards a Reformed Identity in Lindsay's Satyre of the Thrie Estaitis."

Paul Whitfield White
"The Pammachius Affair at Christ's College, Cambridge, in 1545"

Roberta Mullini
"Impatient Poverty: The Intertextual Game of Satire."

Peter Thomson
"Sound City Jests and Country Pretty Jests: Jack Juggler and Gammer Gurton's Needle."

Alice Hunt
"Legitimacy, Ceremony and Drama: Mary Tudor's Coronation and Respublica."

David Bevington
"Staging the Reformation: Power and Theatricality in the Plays of William Wager."

Dennis Kezar, Ed. Solon and Thespis : Law and Theater in the English Renaissance. Notre Dame, Ind.: University of Notre Dame Press, 2007.

Dennis Kezar
"Introduction: Jonson and the Tribe of Law."

Matthew Greenfield
"Trial by Theater: Jonson, Marston, and Dekker in the Court of Parnassus."

Paul Cantor
"The Law versus the Marketplace in Jonson's Bartholomew Fair."

Frances Teague
"Ben Jonson and London Courtrooms: Legal Rhetoric and Theatrical Pressure."

Heather Dubrow
"'They took from me the use of mine own house': Land Law in Shakespeare's Lear and Shakespeare's Culture."

Ernest Gilman
"Sycorax's 'Thing'"

Dennis Kezar
"The Witch of Edmonton and the Guilt of Possession: Law Staged and Theory Troubled."

Debora Shuger
"'Paper Bullets': Texts, Lies, and Censorship in Early Modern England."

Karen J. Cunningham
"'So Many Books, So Many Rolls of Ancient Time': The Inns of Court and Gorboduc."

Luke Wilson
"The Rich Cabinet: Bacon, Chapman, and the Culture of Corruption."

Deak Nabers
"Epilogue: The True Image of Authority."

Takashi Kozuka and J. R. Mulryne, Eds. Shakespeare, Marlowe, Jonson: New Directions In Biography. Aldershot, Hants, England; Burlington, VT: Ashgate, 2006.

Rebecca Lemon. Treason By Words: Literature, Law, And Rebellion In Shakespeare's England. Ithaca, N.Y.: Cornell University Press, 2006.

Subha Mukherji. Law And Representation In Early Modern Drama. Cambridge: Cambridge University Press, 2006.

Todd H.J. Pettigrew. Shakespeare and the Practice of Physic: Medical Narratives on the Early Modern English Stage. Newark: U of Delaware P, 2007.

Catherine Richardson. Domestic Life and Domestic ragedy in Early Modern England: The Material Life of the Household. Manchester, UK; New York: Manchester University Press; Palgrave, 2006.

Virginia Scott and Sara Sturm-Maddox. Performance, Poetry and Politics on the Queen's Day: Catherine de MŽdicis and Pierre de Ronsard at Fontainbleau. Aldershot, UK and Burlington, VT: Ashgate, 2007.

Javier Espejo Sur—s & Jesœs G. Maestro, Eds. Teatro religioso y corrientes de espiritualidad en tiempos de Hern‡n L—pez de Yanguas. Vigo: Editorial Academia del Hispanismo, 2007.

Henry S. Turner. The English Renaissance Stage: Geometry, Poetics, And The Practical Spatial Arts 1580-1630. New York: Oxford University Press, 2006.

Charles Whitney. Early Responses To Renaissance Drama. Cambridge, UK; New York: Cambridge University Press, 2006.

Articles

Albrecht Classen. "Hans Sachs's Reception of the Medieval Heroic Tradition: Social Criticism in the Cloak of Nibelungenlied Source Material." Parergon. Volume 23, Number 1, 2006, pp. 93-117.

Theresa Coletti. "The Chester Cycle in Sixteenth-Century Religious Culture." Journal of Medieval and Early Modern Studies. 37(3), 2007: pp. 531-547.

Roswitha Dabke. "The Hidden Scheme of the Virtues in Hildegard of Bingen's Ordo Virtutum." Parergon. Volume 23, Number 1, 2006, pp. 11-46.

Jane Hwang Degenhardt. "Catholic Martyrdom in Dekker and Massinger's The Virgin Martir and the Early Modern Threat of 'Turning Turk'" ELH. Volume 73, Number 1, Spring 2006, pp. 83-117.

Donnalee Dox. "The Eyes of the Body and the Veil of Faith." Theatre Journal. Volume 56, Number 1, March 2004, pp. 29-45.

Glenn Ehrstine. "Präsenzverwaltung: Die Regulierung des Spielrahmens durch den Proklamator und andere expositores ludi," in Transformationen des Religiösen. Performativität und Textualität im geistlichen Spiel. Ed., Erika Fischer-Lichte and Ingrid Kasten, Trends in Medieval Philology 11. Berlin: de Gruyter, 2007, 63-79.

Daniel Kline. "Kids Say the Darndest Things: Irascible Children in Hrotsvit's Sapientia." In Hrotsvit of Gandersheim: Contexts, Identities, Affinities and Performances. ed. Phyllis Brown, Linda McMillin, and Katharina M. Wilson. Toronto: Toronto UP, 2004, pp. 77-95.

Kim Solga. "Rape's Metatheatrical Return: Rehearsing Sexual Violence Among the Early Moderns." Theatre Journal. Volume 58, Number 1, March 2006, pp. 53-72.

Steve Tillis. "Remapping Theatre History." Theatre Topics. Volume 17, Number 1, March 2007, pp. 1-19.

Norma Kroll. "Power and Conflict in Medieval Ritual and Plays: The Re-Invention of Drama." Studies in Philology. Volume 102, Number 4, Fall 2005, pp. 452-483.

Meg Twycross. "Medieval English Theatre: Codes and Genres," In A Companion to Medieval English Literature and Culture c. 1350-c. 1500. Ed., Peter Brown. Oxford, England: Blackwell, 2007, pp. 454-72.

Journal Publications

Comparative Drama
http://www.wmich.edu/compdr/

Volume 41, Issue 3, Fall 2007

Kenneth Gross
"Puppets Dallying: Thoughts on Shakespearean Theatricality."

Regula Meyer E.
"Incest Disguised: Ottonian Influence at Gandersheim and Hrotsvit's Abraham."

Volume 41, Issue 2, Summer 2007

Robert Henke
"Comparing Poverty: Fictions of a "Poor Theater" in Ruzante and Shakespeare."

Kara Northway
"To kindle an industrious desire": The Poetry of Work in Lord Mayors' Shows."

Volume 41, Issue 1, Spring 2007

Michael Mark Chemers
"Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament."

Roger A. Ladd
"'My condicion in mannes soule to kill': Everyman's Mercantile Salvation."

Jeffrey J. Yu
"Shakespeare's Julius Caesar, Erasmus' De Copia, and Sentential Ambiguity."

European Medieval Drama
Volume 10: 2006
http://journals.brepols.net/journalhome.asp?jrnlid=5

Jacques E. Merceron
"Le couple ludicra-seria et son codage scŽnologique dans le thŽ‰tre religieux de la fin du Moyen åge: l'exemple du messager."

Max Harris
"Claiming Pagan Origins for Carnival: Bacchanalia, Saturnalia, and Kalends."

Paulino Rodrígues Barral
"Los mecanismos retribuitivos del m‡s all‡ en el drama medieval Catalano-AragonŽs: su relaci—n con las artes pl‡sticas."

Maria JosŽ Palla
"Carnaval/Carême - Le combat entre le gras et le maigre dans La Farce des Physiciens de Gil Vicente."

VŽronique Dominguez
"La rŽception du thŽ‰tre mŽdiŽval au XXe sicle: Le Vray Mistre de la Passion au thŽ‰tre de l'OdŽon (Paris, 1906)."

Cora Dietl
"The Virgin, the Church, and the Heathens: The Innsbruck Ludus de assumptione beatae Mariae virginis."

Victoria Smirnova
"Le 'rŽcit de miracle' et le genre du miracle (basŽ sur le Speculum Historiale de Vincent de Beauvais, le Miracle 34 dans le Recueil de Saint-Victor, les Miracles de Nostre-Dame de Gautier de Coinci et Ies Miracles de Nostre-Dame par personnages d'un auteur anonyme)."

Beatriz Aracil Var—n
"Un ejemplo de adaptaci—n de la teatralidad medieval al contexto novohispano: La invenci—n de la Santa Cruz por."

Early Modern Literary Studies
Volume 13.1 (May, 2007)
http://extra.shu.ac.uk/emls

Nate Eastman
"The Rumbling Belly Politic: Metaphorical Location and Metaphorical Government in Coriolanus."

Roy Booth
"Witchcraft, Flight and the Early Modern English Stage."

Court Culture 1642-1660, Special Issue 15 (September, 2007). Edited by Jerome de Groot and Peter Sillitoe.

Jerome de Groot and Peter Sillitoe
Introduction: Court Culture in the 1640s and 1650s.

Julie Sanders and Ann Hughes
"The Hague Courts of Elizabeth of Bohemia and Mary Stuart: Theatrical and Ceremonial Cultures."

John Astington
"Actors and the Court after 1642."

The Long 1590s, Special Issue 16 (September, 2007) Edited by Lisa Hopkins and Annaliese Connolly.

Andy Duxfield.
"'Resolve me of all ambiguities': Doctor Faustus and the Failure to Unify."

Kirk Melnikoff.
"'[I]ygging vaines' and 'riming mother wits': Marlowe, Clowns and the Early Frameworks of Dramatic Authorship."

Annaliese Connolly.
"Peele's David and Bethsabe: Reconsidering Biblical Drama of the Long 1590s."

Mark Hutchings.
"The 'Turk Phenomenon' and the Repertory of the Late Elizabethan Playhouse."

Marcie Bianco.
"To Sodomize a Nation: Edward II, Ireland, and the Threat of Penetration."

Stephen Guy-Bray.
"Shakespeare and the Invention of the Heterosexual."

Early Theatre
Volume 10.2 (2007)
http://www.earlytheatre.ca/volumes.htm

Leanne Groeneveld
"A Theatrical Miracle: The Boxley Rood of Grace as Puppet."

David Mann
"Female Play-going and the Good Woman."

Kamille Stone Stanton
"'An Amazonian Heroickess': The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662)"

Erin Obermueller
"'On cheating Pictures': Gender and Portrait Miniatures in Philip Massinger's The Picture."

Eleanor Lowe, Eleanor Collins, Karen Kettnich, Farah Karim-Cooper, Mimi Yiu
Issues in Review: Offstage and Onstage Drama: New Approaches to Richard Brome.

Renaissance Drama
Volume 36 (2007)
http://www.english.northwestern.edu/resources/journal.html

Forthcoming. This year's issue, volume 37, focuses on "Italy and the Drama of Europe," and is being co-edited by William N. West and Albert Russell Ascoli. (Per Site.)

Research Opportunities in Medieval and Renaissance Drama (ROMRD)
Volume VLVI, 2007

Jennifer Roberts-Smith
"The Queen's Men: Three Research-Performance Experiments."

Jill Stevenson
"The York Mystery Cycle, July 2006: Negotiating Past and Present."

Victor I. Scherb
"The York Mystery Plays 2006."

Clifford Davidson
"The York Corpus Christi Plays and Visula Piety."

Tracey Miller-Tomlinson
"Hybrid Gender, Hybrid Nation: Race, Sexuality, and the Making of National Identity in Fletcher's Boncuda."

MacD. P. Jackson
"The Date and Authorship of Thomas of Woodcock: Evidence and its Interpretation."

Jane Cowling
"Performance ar Winchester College."

Richard Levin
"Occult Interior Design in Jonson's Day and Ours, and a New Source for The Alchemist.

Kelley Costigan and Martin Wiggins
"Census of Renaissance Productions."

Shakespeare Bulletin
Volume 25, Number 3, Fll 2007.
http://www.shakespeare-bulletin.org/ or
http://muse.jhu.edu/journals/shakespeare_bulletin/

Barbara Hodgdon
"Viewing Acts."

Robert Shaughnessy
"One Piece at a Time."

Holland, Peter
"It's all about me. Deal with it."

Hartley, Andrew James
"Remembering Actors: Embodied Shakespeare and the Individual in the Audience."

Richard Paul Knowles
"The Death of a Chief: Watching for Adaptation; or, How I Learned to Stop Worrying and Love the Bard."

Skip Shand
"From Close Reading to Close Watching: Watching Myself Watching Acting."

Shakespeare Quarterly
Volume 58, Number 3, Fall 2007.
http://www.folger.edu/template.cfm?cid=542

Stephen Orgel
"The Desire and Pursuit of the Whole Abstract."

Brian Vickers
"Incomplete Shakespeare: Or, Denying Coauthorship in 1 Henry VI."

Katherine Duncan-Jones
"Complete Works, Essential Year? (All of) Shakespeare Performed."

R. Carter Hailey
"The Dating Game: New Evidence for the Dates of Q4 Romeo and Juliet and Q4 Hamlet."