Recent Publications Spring 2007

Recent Publications

Andrews, Richard, Scripts and Scenarios: The Performance of Comedy in Renaissance Italy, Cambridge, UK and New York: Cambridge University Press, 2007.

Archer, Jayne Elisabeth, Goldring, Elizabeth, and Knight, Sarah, eds., The Progresses, Pageants, and Entertainments of Queen Elizabeth I, New York: Oxford University Press, Incorporated, 2007.

Bach, Rebecca Ann, Shakespeare and Renaissance Literature before Heterosexuality, Basingstoke, Hants: Palgrave Macmillan, 2007.

Baragona, Alan, Gloria Betcher, Warren Edminster, Thomas J. Farrell, Miriam R. Fuller, Joseph Ricke, Dana-Linn Whiteside, Joseph Wittig, and Susan Yager, Towneley Plays Live at Kalamazoo: Mactacio Abel, Processus Noe, Magnus Herodus, Iudicium, ICMS Readings 4, Provo, UT: Chaucer Studio, 2005.

Beam, Sara, Laughing Matters: Farce and the Making of Absolutism in France, Ithaca: Cornell University Press, 2007.

Birchwood, Matthew, Staging Islam in England: Drama and Culture, 1640-1685, Woodbridge: Boydell & Brewer, Limited, 2007.

Cerasano, S. P., and Hirschfeld, Heather Anne, eds., Medieval and Renaissance Drama in England, Madison, NJ: Fairleigh Dickinson University Press, 2006.

Coldewey, John C., Medieval Drama: Critical Concepts in Literary and Cultural Studies, London and New York: Routledge, 2007.

Curran, John E., Hamlet, Protestantism, and the Mourning of Contingency: Not to Be, Aldershot, Hants, England and Burlington, VT: Ashgate Publishing, Limited, 2006.

Davidson, Clifford, Walsh, Martin, and Broos, Tons, eds., Everyman, and Its Dutch Original Elckerlijc Kalamazoo, Medieval Institute Publications, 2007.

Dillon, Janette, Language and Stage in Medieval and Renaissance England, Cambridge, UK and New York: Cambridge University Press, 2006.

Dimmock, Matthew, ed., William Percy's Mahomet and His Heaven: A Critical Edition, Aldershot, Hants, England and Burlington, VT: Ashgate Publishing, Limited, 2006.

Douglas, Audrey and Maclean, Sally-Beth, eds. REED in Review: Essays in Celebration of the first Twenty-five Years, Studies in Early English Drama 8, Toronto: University of Toronto Press, 2006.

Alexandra F. Johnston
“The Founding of Records of Early English Drama”

Sally-Beth Maclean
“Birthing the Concept: the First Nine Years”

Abigail Ann Young
“‘Practice Makes Perfect’: Policies for a Cross-Disciplinary Project”

John Marshall
“Gathering in the Name of the Outlaw: REED and Robin Hood”

Suzanne Westfall
“What Hath REED Wrought? REED and Patronage”

Paul Werstine
“Margins to the Centre: REED and Shakespeare”

Roslyn L. Knutson
“Everything’s Back in Play: the Impact of REED Research on Elizabethan Theatre History”

Sylvia Thomas
“REED and the Record Office: Tradition and Innovation on the Road to Access”

Gervase Rosser
“Roles in Life: the Drama of the Medieval Guilds”

Eila Williamson and John J. McGavin, “Crossing the Border: the Provincial Records of Southeast Scotland”

James Cummings
“REED and the Possibilities of Web Technologies”

Jenn Stephenson
“Herodotus in the Labyrinth: REED and Hypertext”

Tanya Hagen
“Thinking outside the Bard: REED, Repertory Canons, and Editing Early English Drama”

John Lehr
“Using REED: A Select Bibliography”

Dunlop, Fiona S., The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity, Woodbridge: York Medieval Press, 2007.

Empson, William, and Haffenden, John, eds., Essays on Renaissance Literature, Volume 2, Cambridge, UK and New York: Cambridge University Press, 2007.

Fitzgerald, Christina, Drama of Masculinity in Medieval England Guild Culture, Basingstoke, Hants: Palgrave Macmillan, 2007.

Goodland, Katherine, Female Mourning and Tragedy in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear, Aldershot, Hants, England and Burlington, VT: Ashgate Publishing, Limited, 2006.

Happe, Peter, and Strietman, Elsa, eds., Urban Theatre in the Low Countries, 1400-1625, Turnhout, Brepols Publishers, 2007.

Hardwick, Paul, and Hordis, Sandra., eds., Medieval English Comedy, Turnhout, Brepols Publishers, 2006.

Martha Bayless
"Merriment and Entertainment in Anglo-Saxon England: What is the Evidence?"

Christopher Crane
"Taking Laughter Seriously: The Rhetoric of Humor in Middle English Drama, Sermon Exempla and Spiritual Instruction"

Paul Hardwick
"Making Light of Devotion: The Pilgrimage Window at York Minster"

Dana Symons
"Comic Pleasures: Chaucer and Popular Romance"

Christian Sheridan
"Funny Money: Puns and Currency in the Shipman's Tale"

Laurel Broughton
"From Buttfaces to Turd Bowling: Physical Humor in the Margins"

Sandra M. Hordis
"Gender and Dialogic Laughter in Malory's Morte Darthur"

Miriamne Ara Krummel
"Getting Even: Uneasy Laughter in The Play of the Sacrament"

Peter G. Beidler
"Realistic Stage Comedy in Chaucer's Miller's Tale"

Elaine C. Block
"Fooling Apes and Aping Fools on Misericord Carvings"

Henderson, Diana E. ed., Concise Companion to Shakespeare on Screen, Malden, MA and Oxford, UK: Blackwell Publishing Limited, 2007.

Hill-Vásquez, Heather, Sacred Players: The Politics of Response in the Middle English Religious Drama, Washington, D.C.: Catholic University of America Press, 2007.

Holland, Peter, and Orgel, Stephen, eds., Performance to Print in Shakespeare's England, Basingstoke, Hants: Palgrave Macmillan, 2006.

P. Holland
"Introduction: Printing Performance"

S. Orgel
"The Book of the Play"

G. Taylor
"Making Meaning Marketing Shakespeare 1623"

J. Jowett
"From Print to Performance: Seeing the Masque in Timon of Athens"

G. Egan
"As It Was, Is, or Will be Played: Title-pages and the Theatre Industry to 1610"

J. Masten
"Editing Boys: The Performance of Genders in Print"

A. R. Braunmuller
"On Not Looking Back -- Sight and Sound and Text"

W. Wall
"De-Generation: Editions, Offspring, and Romeo and Juliet"

L. Enterline
"Rhetoric, Discipline, and the Theatricality of Everyday Life in Elizabethan Grammar Schools"

A. Bosman
"History Between Theatres"

R. Preiss
"Robert Armin Do the Police in Different Voices"

M. de Grazia
"Hamlet's Smile"

G. McMullan
"'The Technique of it is Mature': Inventing the Late Plays in Print and in Performance"

Horne, Charles F. ed., The Death Stone: a Medieval Drama of Japan - Pamphlet, Kila: Kessinger Publishing, 2006.

Horne, Charles F. ed., Life Is a Dream: a Medieval Drama of Japan – Pamphlet, Kila: Kessinger Publishing, 2006.

Holton, David, ed., Literature and Society in Renaissance Crete, Cambridge, UK and New York: Cambridge University Press, 2006.

Howard, Tony, Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction, Cambridge, UK and New York: Cambridge University Press, 2007.

Jackson, Russell, Shakespeare Films in the Making, Cambridge, UK and New York: Cambridge University Press, 2007.

Jondorf, Gillian, French Renaissance Tragedy: The Dramatic Word, Cambridge, UK and New York: Cambridge University Press, 2006.

Kidnie, Margaret Jane and Brown, John Russell, eds., The Taming of the Shrew: Shakespeare, Basingstoke, Hants: Palgrave Macmillan, 2006.

Klausner, David N. and Marsalek, Karen Sawyer, eds. Bring furth the Pagants: Essays in Early English Drama presented to Alexandra F. Johnston Studies in Early English Drama 9, Toronto: University of Toronto Press, 2006.

Barbara D. Palmer
“Star Turns or Small Companies?”

Peter Meredith
“‘Young men will do it’: Fun, Disorder, and Good Government in York, 1555; Some thoughts on House Book 21"

Sally-Beth Maclean
“The Southwest Entertains: Exeter and Local Performance”

Alan Somerset
“Coming Home: Provincial Gentry Families: Their Performers, Their Great Halls, Their Entertainments, and REED”

Caroline M. Barron
“Pageantry on London Bridge in the Early Fifteenth Century”

Meg Twycross
“The Ordo paginarum Revisited, with a Digital Camera”

Margaret Rogerson
“REED York, Volume 3, The ‘Revivals’”

Garrett P.J. Epp
“Doubting Thomas: ‘Womans Witnes’ and the Towneley Thomas Indie”

David N. Klausner
“The Modular Structure of Wisdom”

Chester Scoville
“On Bombshells and Faulty Assumptions: What the Digby Conversion of Saint Paul Really Did with the Acts of the Apostles”

David Mills
“Some Theological Issues in Chester’s Plays”

K. Janet Ritch
“The Role of the Presenter in Medieval Drama”

Karen Sawyer Marsalek
“‘Awake your faith’: English Resurrection Drama and The Winter’s Tale”

David Bevington
“One Hell of an Ending: Staging Last Judgment in the Towneley Plays and in Doctor Faustus A and B”

Leggatt, Alexander, ed., Sourcebook on Macbeth, London and New York: Routledge, 2006.

Logan, Robert A., Shakespeare's Marlowe, Aldershot, Hants, England and Burlington, VT: Ashgate Publishing, Limited, 2007.

Maquerlot, Jean-Pierre and Michèle Willems, eds., Travel and Drama in Shakespeare's Time, Cambridge, UK and New York: Cambridge University Press, 2006.

Massai, Sonia, ed., World-Wide Shakespeares, London and New York: Routledge, 2006.

Murakami, Ineke, “Wager’s Drama of Convention, Class and State Constitution” Studies in English Literature, 2007.

Murakami, Ineke, “The ‘bond and privilege of nature” in Coriolanus,” Religion & Literature, 2007.

Mcgavin, John, Theatricality and Narrative in Medieval and Early Modern Scotland: Studies in Early Scottish Records of Play and Dissent, Aldershot, Hants, England and Burlington, VT: Ashgate Publishing, Limited, 2007.

McNeill, Fiona, Poor Women in Shakespeare, Cambridge, UK and New York: Cambridge University Press, 2007.

Muir, Lynette, Love and Conflict in Medieval Drama: The Plays and their Legacy, Cambridge, UK and New York: Cambridge University Press, 2007.

Normington, Katie, Gender and Medieval Drama, Woodbridge: Boydell & Brewer, Limited, 2006.

Normington, Katie, Modern Mysteries: Contemporary Productions of Medieval English Cycle Dramas, Woodbridge: Boydell & Brewer, Limited, 2007.

O'Neill, Stephen, Staging Ireland: Representations in Shakespeare and Renaissance Drama, Dublin: Four Courts Press, 2007.

Postlewate, Laurie, and Wim Husken, eds., Acts and Texts: Performance and Ritual in the Middle Ages and the Renaissance, Amsterdam; New York: Rodopi, 2007.

Ravelhofer, Barbara, The Early Stuart Masque: Dance, Costume, and Music, New York: Oxford University Press, Incorporated, 2006.

Romack, Katherine and Fitzmaurice, James, eds., Cavendish and Shakespeare, Interconnections, Aldershot, Hants, England and Burlington, VT: Ashgate Publishing, Limited, 2006.

Sillars, Stuart, Painting Shakespeare: The Artist as Critic, 1720-1820, Cambridge, UK and New York: Cambridge University Press, 2006.

Hopkins, Lisa, and Steggle, Matthew, Renaissance Literature and Culture, London and New York: Continuum International Publishing Group, Limited, 2006.

Sugano, Douglas, and Scherb, Victor I., eds., The N-Town Plays, Kalamazoo: Medieval Institute Publications, 2006.

Symes, Carol, A Common Stage: Theater and Public Life in Medieval Arras, Ithaca: Cornell University Press, 2007.

Taylor, Jefferey H., Four Levels of Meaning in the York Cycle of Mystery Plays: A Study in Medieval Allegory, Lewiston, N.Y: Edwin Mellen Press, 2006.

Thompson, Ayann, Performing Race and Torture on the Early Modern Stage, London and New York: Routledge, 2007.

Tiner, Elza C., ed., Teaching with the Records of Early English Drama Studies in Early English Drama 7, Toronto: University of Toronto Press, 2006.

Alexandra F. Johnston
“The Audience of Early Drama: REED and the Techniques of Historical Fiction”

David Mills
“Using REED in Teaching the Whitsun Plays of Tudor Chester”

Mary A. Blackstone
“‘It’s as if I’m really doing research!”

Margaret Rogerson and Betsy Taylor, “Teaching without Texts: Early English Drama for Performance Studies Students”

Stephen F. Page, “Using REED Chester for Classroom and Performance”

Anne Brannen, “Using Historical Documents in the Literature Classroom: Elizabethan and Jacobean Church Court Cases”

Gloria J. Betcher, “Teaching Poems from Robert Herrick’s Hesperides with the aid of REED Documents”

Rosalind Conklin Hays

“The Use of REED Documents in Teaching Early Modern English History”

Barbara D. Palmer
“‘The husbandry and manage of my house’: Teaching Women’s Studies from the Records of Early English Drama Collections”

James Stokes
“Palaeography in the Undergraduate Drama Class: Teaching the Secret Life of Documents”

Abigail Ann Young
“REED and Language Teaching”

Elza C. Tiner
“Going to HEL: REED and Diachronic Linguistics”

Rosalind Conklin Hays
“Introducing Undergraduates to Documents in REED Collections”

Turner, Henry S., The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630, New York: Oxford University Press, 2006.

van Dijkhuizen, Jan Frans, Devil Theatre: Demonic Possession and Exorcism in English Renaissance Drama, 1558-1642, Woodbridge: Boydell & Brewer, Limited, 2007.

Walker, Greg, The Politics of Performance in Early Renaissance Drama, Cambridge, UK and New York: Cambridge University Press, 2006.

Warren, Roger ed., Much Ado about Nothing: William Shakespeare, St. Paul: Consortium Book Sales & Distribution, 2006.

Womack, Peter, English Renaissance Drama, Malden, MA and Oxford, UK: Blackwell Publishing Limited, 2006.

Whitney, Charles, Early Responses to Renaissance Drama, Cambridge, UK and New York: Cambridge University Press, 2006.

Wong, Mitali P., Politics and Tropes in Renaissance History Plays: Understanding a Neglected Genre, Lewiston, N.Y: Edwin Mellen Press, 2006.

Zitner, Sheldon P., ed., The Knight of the Burning Pestle: Francis Beaumont, Manchester: Manchester University Press, 2006.

Journal Publications

Early Modern Literary Studies
Volume 12.3 (January, 2007)
http://extra.shu.ac.uk/emls

MacDonald P. Jackson
"Is “Hand D” of Sir Thomas More Shakespeare’s? Thomas Bayes and the Elliott–Valenza Authorship Tests."

Eric Leonidas
"The School of the World: Trading on Wit in Middleton’s Trick to Catch the Old One."

Early Theatre
Volume 10.1 (May, 2007.)
http://www.earlytheatre.ca/volumes.htm

Susannah Crowder
"Children, Costume, and Identity in the Chester Midsummer Show."

Andrew Gurr
The Work of Elizabethan Plotters and 2 The Seven Deadly Sins."

Robert Hornback
The Reasons of Misrule Revisited: Evangelical Appropriations of Carnival in Tudor Revels."

Mark Hutchings
Mary Frith at the Fortune."

Jennifer Roberts Smith
The Red Lion and the White Horse: Inns used by Patronised Performers in Norwich, 1583-1624."

Renaissance Drama
Volume 35 (2006.)
http://www.english.northwestern.edu/resources/journal.html

Special Issue: "Embodiment and Environment in Early Modern Drama and Performance"
Guest Editors: Mary Floyd-Wilson and Garrett A. Sullivan, Jr.

Daryl W. Palmer
Hamlet's Northern Lineage: Masculinity, Climate, and the Mechanician in Early Modern Britain."

Jean Feerick
"Divided in soyle": Plantation and Degeneracy in The Tempest and The Sea Voyage."

Alan Stewart
"Euery soyle to mee is naturall": Figuring Denization in William Haughton's English-men for My Money."

Paul Menzer
The Actor's Inhibition: Early Modern Acting and the Rhetoric of Restraint."

William N. West
Understanding in the Elizabethan Theaters."

Carolyn Sale
Eating Air, Feeling Smells: Hamlet's Theory of Performance."

Jonathan Gil Harris
All Swell That End Swell: Dropsy, Phantom Pregnancy, and the Sound of Deconception in All's Well That Ends Well."

Kristen Poole
The Devil's in the Archive: Doctor Faustus and Ovidean Physics."

Research Opportunities in Medieval and Renaissance Drama (ROMRD)
Report from Peter Greenfield

The 2007. issue of Research Opportunities in Medieval and Renaissance Drama will be published in August. It includes a report on last year's Queen's Men project, and articles on the York Cycle and Visual Piety, on Greene's Friar Bacon and Friar Bungay, and Fletcher's Bonduca. It will incl. the annual Census of Renaissance Drama productions, and an extended review of last summer's production of plays from the York cycle by the York guilds.

Shakespeare Bulletin
Volume 25, Number 1, Sp ring 2007.
http://www.shakespeare-bulletin.org/Text

Special Issue: Hamlet and the Still Image
Guest Editor: Genevieve Love

Love, Genevieve.
"Introduction: Hamlet and the Still Image."

Borlik, Todd Andrew.
"'Painting of a sorrow': Visual Culture and the Performance of Stasis in David Garrick's Hamlet."

Clary, Frank Nicholas.
"Maclise and Macready: Collaborating Illustrators of Hamlet."

Cinpoes, Nicoleta.
"'Lose the name of action': Stillness in Post-1989 Romanian Hamlets."

Shakespeare Quarterly
Volume 58, Number 1, Spring 2007.
http://www.folger.edu/template.cfm?cid=542

M. Lindsay. Kaplan
"Jessica's Mother: Medieval Constructions of Jewish Race and Gender in The Merchant of Venice."

Nina S. Levine
"Citizens' Games: Differentiating Collaboration and Sir Thomas More."

Barbara Correll
"Malvolio at Malfi: Managing Desire in Shakespeare and Webster."