Recent Publications Fall 2005

Recent Publications

Blayney, Peter W. M., "The Alleged Popularity of Playbooks." Shakespeare Quarterly 56.1 (2005): 33-50.

Brown, Pamela Allen and Peter Parolin, eds., Women Players in England, 1550-1660: Beyond the All-male Stage, Studies in Performance and Early Modern Drama, Burlington, Vermont: Ashgate, 2005.

JAMES STOKES
"Women and Performance: Evidences of Universal Cultural Suffrage in Medieval and Early Modern Lincolnshire"

GWENO WILLIAMS, ALISON FINDLAY AND STEPHANIE HODGSON-WRIGHT
“Payments, Permits and Punishments: Women Performers and the Politics of Place"

NATASHA KORDA
"The Case of Moll Frith: Women's Work and the 'All-Male Stage'

BELLA MIRABELLA
"'Quacking Delilah's': Female Mountebanks in Early Modern England and Italy”

M. A. KATRITZKY
"Reading the Actress in Commedia Imagery"

JULIE D. CAMPBELL
"'Merry, nimble, stirring spirit[s]': Academic, Salon and Commedia dell'arte Influence on the Innamorate in Love's Labour's Lost"

RACHEL POULSEN
"Women Performing Homoerotic Desire in English and Italian Comedy: La Calandria, Gl'Ingannati and Twelfth Night"

MELINDA J. GOUGH
"Courtly Comédiantes: Henrietta Maria and Amateur Women's Stage Plays in France and England"

PETER PAROLIN
"The Venetian Theater of Aletheia Talbot, Countess of Arundel"

JULIE CRAWFORD
"'Pleaders, Atturneys, Petitioners and the like': Margaret Cavendish and the Dramatic Petition"

JEAN E. HOWARD
"Staging the Absent Woman: the Theatrical Evocation of Elizabeth Tudor in Heywood's If You Know Not Me, You Know Nobody, Part I"

BRUCE R. SMITH
"Female Impersonation in Early Modern Ballads"

PAMELA ALLEN BROWN
"Jesting Rights: Women Players in the Manuscript Jestbook of Sir Nicholas Le Strange"

Cathcart, Charles, "Authorship, Indebtedness, and the Children of the King's Revels." SEL: Studies in English Literature, 1500-1900 45.2 (2005): 357-74.

Farmer, Alan B., and Zachary Lesser, "The Popularity of Playbooks Revisited." Shakespeare Quarterly 56.1 (2005): 1-32.

Janning, Volker, Der Chor Im Neulateinischen Drama : Formen Und Funktionen, 1. Aufl ed. Vol. Bd. 7. Münster: Rhema, 2005.

Kerwin, William, Beyond the Body : The Boundaries of Medicine and English Renaissance Drama, Amherst: University of Massachusetts Press, 2005.

Kinney, Arthur F., Renaissance Drama : An Anthology of Plays and Entertainments, 2nd ed. Malden, MA: Blackwell Pub., 2005.

Klausner, David N., ed., Wales 2 vols. REED Collection. Toronto: University of Toronto Press, 2005.

Kroll, Norma, "Power and Conflict in Medieval Ritual and Plays: The Re-Invention of Drama." Studies in Philology 102.4 (2005): 452-83.

Kuné, Cobie, "'Berliner (Niederrheinisches) Passionsspiel-Fragment'." Zeitschrift für Deutsches Altertum und Deutsche Literatur 134.2 (2005): 205-10.

Nelson-Campbell, Deborah. "Grace Frank (1886-1978) and Medieval French Drama." Women Medievalists and the Academy, Ed. Jane Chance. Madison, WI: U of Wisconsin P, 2005. 273-283.

Nolan, Maura, John Lydgate and the Making of Public Culture, Cambridge, England: Cambridge UP, 2005.

Stampino, Maria Galli, Staging the Pastoral : Tasso's Aminta and the Emergence of Modern Western Theater, Tempe, Ariz: Arizona Center for Medieval and Renaissance Studies, 2005.

Winkelman, Michael A., Marriage Relationships in Tudor Political Drama, Studies in Performance and Early Modern Drama, Burlington, Vermont: Ashgate, 2005.

Comparative Drama
www.wmich.edu/compdr

Volume 38, No. 2, 3 (Summer/Fall 2004)

ROBERT M. SCHULER
"Magic Mirrors in Henry II"

TANYA CALDWELL
"Meanings of All for Love, 1677-1813"

ADAM R. BEACH
"Anti-Colonist Discourse, Tragicomedy, and the 'American' Behn"

ADRIENNE SCULLION
Politesse and the Woman at Risk: The Social Comedies of Marie-Thérèse De Camp

MARIA GERMANOU
"An American in Ireland: The Representation of America in Brian Friel's Plays"

BEATRICE GROVES
"'Let this be copied out/ And keep it safe for our remembrance': Memory, Composition and the Relationship of King John to The Troublesome Raigne of King John"

DANIEL JERNIGAN
"Serious Money Becomes 'Business by Other Means': Caryl Churchill's Unique Metatheatrical Subject"

Volume 38, No. 4 (Winter 2004-05)

JULIE STONE PETERS
"Joan of Arc Internationale: Shaw, Brecht, and the Modern Law of Nations"

MAURICE HUNT
"'Forward Backward' Time and the Apocalypse in Hamlet"

CHARLES CONAWAY
"'To Please some Friends-and draw the Vulgar in': Shakespeare, Molly House Culture, and the Eighteenth Century Stage"

DAVID NICOL
"Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton"

Early Modern Literary Studies (EMLS)
Online publication available at: purl.org/emls

EMLS 11.1 (May, 2005)

STEPHEN HAMRICK
"'Set in portraiture': George Gascoigne, Queen Elizabeth, and Adapting the Royal Image"

TRACEY HILL
"'The Cittie is in an uproare': Staging London in The Booke of Sir Thomas More"

AARON LANDAU
"'I Live With Bread Like You': Forms of Inclusion in Richard II"

M. G. AUNE
"Elephants, Englishmen and India: Early Modern Travel Writing and the Pre-Colonial Moment"

JAMES M. BROMLEY
"Intimacy and the Body in Seventeenth-Century Religious Devotion"

ELIZABETH M. A. HODGSON
"Mourning Eve, Mourning Milton in Paradise Lost"

JOYCE DEVLIN MOSHER
"Female Spectacle as Liberation in Margaret Cavendish's Plays"

EMLS 11.2 (September, 2005)

CHRIS FITTER
"Historicising Shakespeare's Richard II: Current Events, Dating, and the Sabotage of Essex"

BRETT D. HIRSCH
"An Italian Werewolf in London: Lycanthropy and The Duchess of Malfi"

ALEXANDRA G. BENNETT
"'Now let my language speake': The Authorship, Rewriting, and Audience(s) of Jane Cavendish and Elizabeth Brackley"

A. D. COUSINS AND R. J. WEBB
"Appropriating and Attributing the Supernatural in the Early Modern Country House Poem"

SANFORD BUDICK
"Milton's Joban Phoenix in Samson Agonistes

Early Theatre
Vol. 8.2 (2005)

REGINA BUCCOLA
"'The top of woman! All her sex in abstract!': Ben Jonson Directs the Boy Actor in The Devil Is an Ass"

ROBERTA BARKER
"'Another Voyage': Death as Social Performance in the Major Tragedies of John Webster"

KAREN BAMFORD
"Foreign Affairs: The Search for the Lost Husband in Shakespeare's All's Well that Ends Well"

PHILIP D. COLLINGTON
"Othello the Traveller"

European Medieval Drama (EMD)
Vol. 9

ECKEHARD SIMON
"The First German Mary Assumption Play (c. 1300) and the Mary Portal of Strasbourg Cathedral."

LENKE KOVÁKS
"The Staging of the Ludus de assumptione beatae Mariae virginis (Cod. 960, University Library, Innsbruck)."

MARGARET MARY RAFTERY
"(Type)Casting the Other; the Representation of Jews and Devils in Two Plays of the Assumption."

ESTELLE DOUDET
"Un dramaturge et son public au XVe siècle : George Chastelain."

KATELL LAVÉANT
"Public et représentations dramatiques dans le nord de la France à la fin du moyen âge."

ROBERT POTTER
"La Sebila Casandra: Gil Vicente's Postmodern Feminist Christmas Play."

GORDON KIPLING
"The Deconstruction of the Virgin in the Sixteenth-Century Royal Entry in Scotland."

KATHLEEN ASHLEY
"The Politics of Playing Herod in Beaune."

KONRAD SCHOELL
"Maître Pathelin et les Pathelinades: plaidoyer pour Henno."

JOLANTE RZEGOCKA
"Performance and Sculpture: Forms of Religious Display in Early Modern Krakow."

GERMÁN BERNARDO
"La Muerteada: ¿una Danza de la Muerte en América? / The Muerteada: a Dance of Death in America?"

PHILIP BUTTERWORTH
"Substitution: Theatrical Sleight of Hand in Medieval Plays."

Renaissance Drama
Vol. 33 (2004)

HARRY BERGER, JR
"Acts of Silence, Acts of Speech: How to do Things with Othello and Desdemona"

Adam Zucker
"The Social Logic of Ben Jonson's Epicoene"

JAMES LOXLEY
"Performatives and Performativity: Ben Jonson Makes His Excuses"

AMANDA BAILEY
"Livery and its Discontents: 'Braving it' in the Taming of the Shrew"

PHILIPPA KELLY
"See what Breeds about Her Heart: King Lear, Feminism, and Performance"

ROBERT DARCY
"Shakespeare's Empty Plot: The Epicenotaph in Timon of Athens"

SUZANNE GOSSETT
"Marston, Collaboration, and Eastward Ho!"

PATRICIA PARKER
"Barbers and Barbary: Early Modern Cultural Semantics"